Perfume Commercial

BLACK AND WHITE WORLD

OPEN ON CLASSIC SHOT OF BROOKLYN BRIDGE FROM DUMBO NEIGHBORHOOD

CHARLIZE THERON ARRIVES ON STREET RIDING WHITE HORSE IN GOWN AS LONG AS A CITY BLOCK

HORSE IS MET BY A PRIME NUMBER OF SHIRTLESS WHITE MEN, ONE OF WHOM STARES DIRECTLY INTO CAMERA AND ASKS

“l’amour?”

CHARLIZE THERON REVEALS A BELT OF KNIVES WHICH SHE CASTS TO THE STREET WHERE THEY SHATTER INTO CRYSTAL SHARDS

HORSE ALSO SHATTERS INTO CRYSTAL SHARDS

PRIME NUMBER OF SHIRTLESS WHITE MEN CATCH CHARLIZE THERON AND CARRY HER INTO ABANDONED FACTORY WHILE THERON LOOKS DIRECTLY INTO CAMERA AND ASKS

“who can refract the violence of obsession?”

ABANDONED FACTORY PEOPLED BY TUXEDO CLAD PEACOCKS AND COYOTES IN MASKS AT PARTY

CAMERA PANS PAST OPULENT CHANDELIERS HAPHAZARDLY STREWN ON CONCRETE FLOOR NEXT TO PILES OF FRUIT

CHARLIZE THERON FEEDS BIGGEST PEACOCK A GRAPE WHILE STARING DIRECTLY INTO CAMERA AND ASKING

“l’amour?”

PEACOCK TRANSFORMS INTO BEAUTIFUL BLACK WOMAN IN FEATHERED HEADDRESS

CHARLIZE THERON GRABS THE HAND OF BEAUTIFUL BLACK WOMAN IN FEATHERED HEADDRESS

WOMEN RUN TOGETHER OUT OF FACTORY THROUGH SPACETIME AND ONTO TERRACE OF AN ITALIAN VILLA

TRACKING SHOT OF SEXY FEET ON MARBLE STAIRS

WOMEN CARESS EACH OTHER AGAINST A BACKDROP OF CYPRESS TREES WHILE THERON STARES DIRECTLY INTO CAMERA BUT DOES NOT SPEAK

BOTH WOMEN TURN INTO BOATS

CUE VOICEOVER AND IMAGE OF SHATTERED BOTTLE

“l’amour, by Julian Assange”